New wedding invitation collections for 2018

Our new wedding invitations for 2018 are here! UK shoppers can find the collection of beautiful, personalised wedding invites in my Not On The High Street shop, while international customers can buy on Etsy.com (click the link to be taken directly to my store front!)

Each design has been carefully crafted with illustrative elements and calligraphy fonts to give you the calligraphy ‘look’ without the price tag of bespoke or handwritten pieces.

While I’m still writing bespoke invitations for smaller weddings, these wedding invitations are perfect for larger celebrations and couples on a tighter budget for wedding stationery.

My price list is here: Wedding invitation costs – By Moon & Tide

How I became a calligrapher – my story

I don’t think I was ever meant to follow a straight or conventional path through life. I was raised on adventure stories and grew up in the countryside as a bit of a free spirit. At school I loved languages while my friends studied art. Words were my thing from day one…

Photo credit: Jenny Heyworth Photography

My dad trained as a draftsman, creating precise technical drawings for a living. My mum is an artist with a love of abstract and a talent for watercolour painting. I see my calligraphy as a combination of my parents’ skills – a dash of precision from my dad and a little of my mum’s creative flair goes into every word I write.

Perhaps it was nature rather than nurture that brought me here then. It certainly wasn’t my degree in languages and marketing, although the latter does still help me to run my little business.

I graduated from Salford uni in the nineties and got my first job as a marketing assistant for a company making rubber stamps. It was sooooo dull! My next marketing job was no better, working for Kays catalogue taught me three things: I never wanted to be a manager; I couldn’t stand being part of a big corporation; and I had a bit of a rebellious streak. (That’s from mum too.)

When the company moved from Manchester to Liverpool I happily took voluntary redundancy. With £8k in the bank to start my business, I decided calligraphy was the career for me.

Now, I’ve no idea why I chose calligraphy. Looking back, it seems more than insane! I was struggling with depression at the time, but I don’t think I can blame that for my choices. What I do remember is skipping out of that corporate job on my very last day, and being genuinely excited to begin my new calligraphy journey.

People ask if I’d done calligraphy before. The answer is yes – but for a couple of weeks as a teenager – along with lacemaking and playing the flute. So why I chose to go back to lettering I’ve no idea!

I got lucky though. I was determined, and I had time to practice a lot. Writing was a full time job from the day I left Kays. I poured everything I had into learning calligraphy and at the same time taught myself to build websites and advertise my business.

Slowly I built my first brand, The Wedding Calligrapher. In 2005 I probably wrote for 30 brides and grooms, and this was before calligraphy was even on trend.

One thing I love about calligraphy and weddings is how quickly styles change. I started out making scroll invitations in a gothic, mediaeval style. I taught myself new styles, gilding, even dabbled in bookbinding and pyrography along the way. (I do want to go back to both of those and try my hand again one day!) From heavy mediaeval letters through to formal copperplate and spencerian I learned to transform my calligraphy style and business to keep up with trends. By 2015 I was writing modern calligraphy and developing my own organic lettering style.

By this time I’d worked on celebrity weddings, for Louis Vuitton, the BBC – and I was asked to write place names for Kirstie Allsopp’s Vintage Home book and TV series. From there I was asked to teach calligraphy workshops at Hampton Court – an expensive adventure which served as a huge confidence boost (teaching 100 people via a microphone and TV screen is so funny! I loved the buzz but felt as though I’d landed right back in the corporate arena so I decided twice was enough!)

As a practice run for my first Handmade Fair calligraphy classes I’d taught a modern calligraphy workshop in Manchester – a small class of just 14 – and I loved it. Meeting new people, watching them learn to use a calligraphy nib and being able to give everyone the attention and help they needed just feels right to me – and being able to pass on my love of letters and learning – on my own terms – is the best thing ever!

So that’s how I got here. A very random journey, a habit of saying yes and seeing where life takes me, and a dash of luck and opportunity!

Calligraphy is still changing fast. 2018 will bring a big shift in what sells and how to market lettering – so I have no more than an inkling of what’s to come.

But that’s me – that’s what I love about my job and I’m looking forward to the next adventure!

Old world English manor {portfolio}

I created this calligraphy wedding invitation suite for an editorial shoot with the lovely Katie and Nancy at Lily & Sage in 2017. It’s 100% handwritten on watercolour paper with a torn edge: that very contemporary look which is perfect for intimate weddings. Today it featured on Wedding Sparrow, in one of the loveliest shoots I’ve seen.

All images are by Nicole Colwell Photography

 

You can view the full feature here: Old World English Manor Wedding Inspiration | Wedding Sparrow

VENDOR DETAILS

Photographer: Nicole Colwell Photography | Film Lab: Photovision | Stylist / Planner and Cake Styling: Lily & Sage | Floral Designer: Bloom Fleuriste | Dress Designer: Daalarna Couture | Accessories: Liv Hart(Headpiece) | Venue: Turvey House | Cake Designer: Fiona Cairns | Hair: Sarah Sandwell | Makeup: – Allie B Mesher | Dress Boutique: Les Trois Soeurs Bridal | Bridal Shoes (Cream) – Badgley Mischka | Bridal Accessories Supplier: Les Troissoeurs | Stationery: By Moon And Tide | Bridal Lingerie: Nancy of Lily & Sage| Ring Box: La Petit Box | Table Linens: Table to Dine For | Tablescape Chairs: Village Chic | Groom Attire: Christopher Scotney | Videography: Carina Photo

Modern Romantic Wedding at Brympton House {portfolio}

Lovely London wedding photographer Anneli Marinovich took such wonderful of Charlotte and Oliver’s Brympton House wedding, which was featured on Style Me Pretty a few days ago.

Charlotte was such a lovely customer to work with! She asked me to write simple place names in modern calligraphy using gold ink on soft grey card. I think they’re the perfect complement to her gorgeous stationery suite!


 
 

Please check out the full feature and gallery over on Style Me Pretty. There’s a full supplier list below.

All images are by Anneli Marinovich Photography.

Full supplier list:

Home


http://www.ttkstyling.co.uk/
http://www.stemsofsomerset.co.uk/

Home


http://www.facebook.com/Ornella-Bianca-241249352683082/
http://www.asos.com/women/
http://www.dinewithstyle.co.uk/
http://www.bymoonandtide.com/
http://www.hugoboss.com/
http://brymptonhouse.co/
http://www.weddingvintagecars.co.uk/
http://lilybella.co.uk/
http://www.sashalouisepallari.com/
http://tracypallari.com/

Front Page

Calligraphy quotes and effective, creative layouts – a step by step guide

I’ve never been a fan of letter drills as a way to practice modern calligraphy. I find writing quotes so much more rewarding and fun!

There’s something compelling about a block of writing. A chunk of text becomes a pattern – writing quotes is a great challenge, a confidence builder an a wonderful way to mark your progress as you learn calligraphy, one month at a time.

1. Choose your quote!

A quote for calligraphy practice should be short and sweet – about 10 words or so. Choose a quote with letter ‘t’ – it’s a great space filler! Instagram is a great place to look for quotes.

2. Draft your quote in pencil

Write one or two words per line. Watch for ascenders and descenders – the letters which are high (l, d, b, h etc.) and those which hang below the line (f, g, j, p, q etc.) Don’t let them crash together!

After each line, stop and consider where the next one will fit. Try and fill any gaps above the words with ascenders – your best trick is a ‘t’ with a long, looping crossing stroke to fill any gaps or white space.

3. Review your draft

Look for big gaps between words or lines, and any letters which sit too close together. When you’re happy there are no blocks of white space in there, it’s time to copy it (on a new piece of paper) with your calligraphy pen

Try to keep your quote small and central on the page. You don’t need to fill a sheet of A4 paper with just 10 words, so don’t be tempted to write huge letters. Leave a wide margin all around the edge.

4. Frame it!

Be proud of your progress and inspired by your words!

Modern calligraphy classes for 2018 – new dates announced!

I’m really excited to have new calligraphy workshop dates for 2018 to share with you!

We have Saturday dates as well as Fridays now, and the calligraphy classes are spread throughout the year with a little break in the summer.

Classes are perfect for absolute beginners who want to try calligraphy for the first time. Bring along your mum, your friend or your partner and enjoy a relaxing afternoon learning a new skill!

Saturday 24th February

Friday 6th April

Saturday 26th May

Friday 7th September

Saturday 20th October

Friday 7th December

All workshops begin at one o’clock and finish at half past three. Click the links above to book, or see all workshops.

These calligraphy workshops are all in Manchester’s Northern Quarter, at the wonderful Craft & Design Centre, for easy accessibility from anywhere in the north of England.

To hire me to teach a calligraphy class in any other UK location please get in touch. I’m very happy to travel to new places and share the art and enjoyment of learning modern calligraphy!

Thank you to Inbetween Days Photography for the beautiful images of one of my 2017 workshops!

Easy gold leaf for calligraphy beginners

Are you ready to take your calligraphy one step further and experiment with something really exciting? Gold leaf is a fabulous medium to explore and there are simple ways to learn about applying gold leaf to calligraphy which are affordable too!

Handwritten & gilded calligraphy names available in my Etsy shop

The paper

It’s really important to have a smooth paper base if you want a smooth finish to your gilding projects. Choose a heavy cartridge paper for your first tries.

The size

Size in this context means glue. You need something to adhere the gold to your paper – and all glues are NOT created equal!

For lettering with gold leaf, I love Kolner Miniatum. It’s fluid enough to run through a flexible calligraphy nib just like ink – but be warned it’s very sticky indeed and hard to get off your nib if you want to then write in ink!

For gold leaf edging, PVA glue is a basic and effective adhesive. Get a mid-range PVA, and a brush to apply it with.

The gold

Transfer or loose? For me, transfer is so much easier to handle than loose leaf gold. It makes sense to start with this – you lay the entire sheet complete with backing paper over your project, then press on with your fingertips. Simple!

Real or faux gold?

Real gold leaf is beautiful. I’d never use the faux stuff – it doesn’t stick as well (it feels kind of clumpy coming off the backing paper) and just doesn’t have as nice a shine.

How to apply gold leaf to calligraphy

First apply your adhesive to the paper wherever you want your gold to go. Do this with a metal nib or a paintbrush – and use plenty, don’t be stingy with it!

Wait 10 – 15 minutes for your glue to become tacky. If the glue is wet when you apply the gold leaf you’ll get a very lumpy finish. When it’s tacky, place your sheet of gold onto it and rub firmly through the transfer paper with your fingertip. Remove the backing paper then use a clean, dry paintbrush to brush away any excess around the edges of your letter.

 

Join me for a modern calligraphy workshop in Manchester!

Friday 6th October, 1pm – Manchester Craft & Design Centre – tickets £65
Friday 20th October, 10am – Anthony Burgess Foundation – tickets £30*
Saturday 21st October, 10am – Anthony Burgess Foundation – tickets £30*
Friday 24th November, 1pm – Manchester Craft & Design Centre – tickets £65

*Workshop only price – calligraphy kits will be available to purchase on the day.

How to order bespoke calligraphy wedding stationery – a step by step guide

Ordering handwritten wedding invitations from a calligrapher is a once-in-a-lifetime thing. If you’re wondering where to start, this little guide should help you navigate every step of the process from your initial enquiry through to receiving your final calligraphy order a couple of weeks before your big day!

Prices for handwritten calligraphy items depend on wordings and quantities. When you first make an enquiry, it really helps if we know roughly how many invitations you’ll be sending and how many guests will be there on the day.

Wedding invitations can either be fully handwritten onto luxury papers, or printed onto high quality card. Consider your budget: which will work best for you? Handwritten invitations cost from £7 for up to 30 words and shorter wordings are recommended. If you have a longer wording, then our printed invitations may suit you best. They have a design fee of £100 then a printing cost from £2 per invitation.

If you need guidance on wedding invitation wordings, please ask! The shorter your wording, the lower the price for any handwritten calligraphy will be. We recommend setting up a wedding website to provide information on travel, accommodation etc. so you won’t have to pay for extra information sheets in your invites.

Your initial enquiry

Let us know your colour palette and the overall style of your day: will the styling be elegant or rustic, vibrant or soft, pastel tones?

Tell us your wedding date and when you’d like to post your invitations, a


On receiving your initial email enquiry, we’ll reply with prices and options for your stationery.

We will also look at timings and explain our calendar system: for all but the most last-minute orders we take bookings in advance. On receipt of a 50% deposit we will block out days in our calendar to write your order. This means we can guarantee despatch on a certain date, and it also gives you an idea when to send your guest list and final wordings, and when the final balance of your order will be due.

Save the Dates (if applicable), invitations and on-the-day stationery are treated as distinct orders so we can keep the deposit system straightforward. We do keep everything on file so when you book us for your on-the-day stationery we can make sure it all matches your invitations.


In a nutshell – step by step to ordering your wedding calligraphy

  1. Tell us your colour palette, approximate guest numbers and any specific requirements you have for your stationery
  2. We’ll chat over email about designs, options for different budgets, and timings
  3. When you’re happy with the initial concepts we’ll ask for a 50% deposit to secure slots in our calendar to write / print your stationery
  4. On receipt of your deposit, we’ll create mockups and send any samples required. We’ll also confirm calendar dates for your final guest list and payment, and for despatch of your order

 

How to get in touch

The best way to contact us is by email – it’s really helpful to have all our ideas in writing to refer back to during the design process.

hello@calligraphy-for-weddings.com

If you’d rather have an initial chat over the phone, call Claire on 07722 405 537 during working hours (Monday – Friday 10am – 4pm)

 


Image credits:

Featured on Hochzeitsguide

PHOTOGRAPHY: Verona Lain Photography
GOWNS: Joanne Fleming Design
MAKE-UP: Laura Szydlowski at Tori Harris Pro Team
CALLIGRAPHY: Moon and Tide
FLORIST: Some Enchanted Floral Design
PROPS: Lula & Rye
SILK RIBBONS: Kate Cullen Styling
JEWELRY: London Victorian Ring
RING BOXES: La Petit Box
MODELS: Rebecca Garland (Profile Models)
FILM LAB: Canadian Film Lab